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Alexander Kipnis ( – May 14, 1978) was a Russian and American bass singer. Having initially established his artistic reputation in Europe, Kipnis became an American citizen in 1931, following his marriage to an American. He appeared often at the Chicago Opera before making his belated début at the Metropolitan Opera in New York City in 1940.
When the First World War started, Kipnis was interned as an alien in a German holding camp. While singing to himself he was overheard by an army captain whose brother was general manager of the Wiesbaden Opera. Kipnis was released from custody and he was engaged by the Hamburg Opera. He made his operatic debut in 1915, singing three Johann Strauss songs as a "guest" in the party scene of the operetta Die Fledermaus. In 1917, he moved to the Wiesbaden Opera, having gained invaluable stage experience. He sang in more than 300 performances at Wiesbaden until 1922, when he joined the Berlin Staatsoper.
Kipnis was under contract with the Berlin Opera until 1935, when he was able to break his contract and flee Nazi Germany. He appeared for three seasons as a guest performer with the Vienna State Opera in 1936–1938. Just after the Anschluss he left Europe and settled permanently in the United States. By the time he was finally signed by the Metropolitan in 1940 he had appeared in most of the world's major opera houses. In addition to those European and American theatres already mentioned in this article, he was heard at the United Kingdom's foremost venue for singers, the Royal Opera House, Covent Garden, (in 1927 and 1929–1935), and also at the Teatro Colón in Buenos Aires (1926–1936).
Kipnis was regarded throughout the inter-war years as being one of the greatest basses in the world. He was praised for the beauty of his smooth and mellow voice and the excellence of his musicianship. As befitted his status, he was invited to appear with the top conductors of his day. They included Ernest Ansermet, John Barbirolli, Thomas Beecham, Leo Blech, Fritz Busch, Albert Coates, Karl Elmendorff, Wilhelm Furtwängler, Robert Heger, Herbert von Karajan, Josef Krips, Erich Kleiber, Otto Klemperer, Hans Knappertsbusch, Serge Koussevitzky, Erich Leinsdorf, Willem Mengelberg, Dimitri Mitropoulos, Pierre Monteux, Karl Muck, Arthur Nikisch, Eugene Ormandy, Hans Pfitzner, Fritz Reiner, Artur Rodziński, Hans Rosbaud, Hermann Scherchen, Richard Strauss, George Szell, Arturo Toscanini, Bruno Walter and Felix Weingartner.
Kipnis showed signs of vocal deterioration during the 1940s and he retired from the Met in 1946. He made his last concert appearance in 1951. Since his debut in 1915, he had sung at least 108 roles, often in more than one language, and his performances in opera and oratorio numbered more than 1600. He died in Westport, Connecticut in 1978, aged 87.
During the 1920s and 1930s, Kipnis's chief bass rivals were the vibrant Italians Nazzareno De Angelis, Ezio Pinza and Tancredi Pasero in the Verdi repertoire, and the black-voiced Norwegian Ivar Andresen in the Wagner repertoire. His recordings of lieder by Brahms, Wolf and Schubert are highly prized today, as are his many impressive operatic recordings, especially those dating from the 1920s and 1930s.
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